Video City Staff A-Z: D is For… (Pt.1)



D is for Despicable Me (2010)

Despicable Me is a fun-filled family tale by Pixar (Up, Wall-e, Toy Story) about a super-villain, Gru (Steve Carell) who is finding life tough when a new villain comes on the scene! Gru decides to hatch a new plan involving adopting three orphans who he will use to pinch his rivals new gadgets. But then, inevitably, he finds himself becoming attached to his little kids, and wonders whether fatherhood is more his style after all.

This film made me laugh non-stop especially Gru’s army of minions – tiny, goggled yellow marshmallow creatures who are loyal but not too bright. It’s lots of fun for kids of all ages and all the parents that have watched have said it made them laugh too.
Word of advice – make sure you watch the extra features especially the Minions Short Films, lots more laughter guaranteed there!

D is for Death in Gaza (2004):
A heartbreakingly sad watch, particularly if you know the outcome. It certainly puts our somewhat insignificant worries to rest when you see the lives of some of these children.
A good documentary is unbeatable, and this is one you should invest two hours of your life on.

1986-down-by-law-poster1D is for DOWN BY LAW (1986) – dir. Jim Jarmusch


A prison comedy that walks at its own pace,  ‘Down by Law’ which stars Tom waits, John Lurie and Roberto Benigni is Jim Jarmusch’s break through film.
The plot is relatively simple as films go, but DBL is not so much about what happens to some characters but about who these people are and what is learnt about them through their enforced interaction with each other. The simplicity of the story allows room for the characters’ development and Robby Müller’s beautiful cinematography, which together, create a powerful comic beat-noir atmosphere.
A fairly consistent theme of Down By Law is the dispelling of preconceptions, from the type casting of the three stars to the projection of their characters’ relationships with each other. Before Waits and Lurie starred in this film both were, for American audiences at least, already cult names predominantly in the music world. Their contribution to the film would have initially been a pull for these audiences, but through the film we understand a little more of the people themselves over the stage characters already projected.

6310_2Waits and Lurie’s characters, have a “This town ain’t big enough for the both of us” type situation, partly symbolised by their rhyming names, Jack + Zack. It is the optimistic sincerity of Benigni that allows them to look beyond their initial personality clash.
The collaborative nature of this film heavily contributes to its charm. The soundtrack was provided by both Lurie and Waits, while certain lines and monologues were improvised both accidentally and intentionally by Benigni. The line ‘It is a sad and beautiful world,’ was the happy result of a misunderstanding due to language difficulties (DBL was the Italian actors’ first visit to the USA),  whilst the rabbit monologue was taken straight out of Benigni’s childhood memories of his mother.
down-by-law-1986-02-gIn comparison to Jarmusch’s first two films ‘Permanent Vacation’ and ‘Stranger Than Paradise’, which both carry a more thoroughly ‘Beat’ pace, the almost classic slapstick nature of Down By Law’s comedy makes this film an easy heart warming ride.”I am a good egg…we are a good egg, my friends.”